“Conductor Jordan de Souza led the music [Bach’s Mass in B Minor] with an unerring sense of ebb and flow.”

Arthur Kaptainis
Montreal Gazette

 

Profiles / Articles

 
 

Montreal Gazette

Jordan de Souza Going Places Fast

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Le Devoir

Jordan de Souza, le monsieur 100 000 volts du classique

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Gramophone

Jordan de Souza Appointed Kapellmeister

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Musik Heute

Komische Oper Berlin hat neuen Kapellmeister

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Musical Toronto

"Jordan de Souza Named Head Of Music Staff at Komische Oper Berlin"

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Toronto Star

"Young conductor Jordan de Souza having a breakout year..."

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Broadway World

"Jordan de Souza named Conductor-in-Residence for Tapestry Opera"

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Inside Toronto

"Corktown’s Jordan de Souza bringing hardcore punk to Tapestry Opera"

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Ottawa Citizen

"Maestro bids farewell with Verdi masterwork"

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The Epoch Times

"Conductor Jordan de Souza Takes On The Marriage of Figaro"

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Ottawa Magazine

"Jordan de Souza takes over as Principal Conductor and Artistic Director of the Ottawa Choral Society"

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CBC

"Happy birthday: Mozart Conductor Jordan de Souza remixes Figaro"

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SWR

"Der junge Kanadier Jordan de Souza dirigiert das Symphonieorchester Vorarlberg"

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Vorarlberger Nachrichten

"Jordan de Souza leitete Mozart"

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Interviews

 
 

CBC

2016 Big Year for Jordan de Souza

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CBC

Opéra de Montréal welcomes Jordan de Souza

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Schmopera

At the podium: Jordan de Souza on Figaro

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Barcza Blog

9 Questions for Jordan de Souza

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Reviews

 
 

Der Neue Merker

Berlin Komische Oper Premiere of Pelléas et Méllisande

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Der Tagesspiegel

Pelléas et Mélisande" an der Komischen Oper

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NMZ Online

Allemond ein Puppenhaus

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Ottawa Citizen

“Dramatic fireworks fitting for Verdi’s Requiem”

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La Presse

“Jordan de Souza et un Requiem fluide”
 

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Wolfgang's Tonic

Verdi’s Requiem
 

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The Globe and Mail

“Tap:Ex Metallurgy: Punk and opera collide in adventurous musical”

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The Globe and Mail

Figaro: Review

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Ottawa Citizen

Duo Recital Review

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Opera News

"Jordan de Souza conducted with vigor and passion."

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The Globe and Mail

"... his attention to detail and sensitivity to Williams’s score – which needs it – is powerful."

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